Salvador Dali lived from 1904 to 1989 and is best known for his surreal paintings, many of which have ended up at the Dali Museum in Saint Petersburg. Longtime friends of Salvador and Gala Dali, Reynolds and Eleanor Morse donated their collection to the original museum in Ohio in 1971. It was moved to Florida in 1982. The current building opened in 2011.
Artists often bring a degree of symbolism to their work, though some deny it. Others are mysterious about the meanings or insist that one must find their own meaning. Sometimes the meaning is obvious. Sometimes it is hidden. Dali’s work is overflowing with symbolism and fortunately for us he made much of its meaning known through various writings, such as his 1942 autobiography The Secret Life of Salvador Dali. The wealth of information available is staggering; I’m still trying to process it.
Wandering through the nooks of the museum hall, I was able to discern several patterns once they were pointed out to me. Many paintings have layers of detail to them, with foreground and background elements combining to make more subtle images. Many are faces. Images that arise in multiple paintings include grasshoppers, flies, overhead views of the crucifixion, partial images borrowed from other artists, and more than anything else his wife. She ends up in everything. Some symbols are more subtle. It was recently discovered that the shadows in one painting line up reveal the light source not to be the sun, but his wife’s face. Was this intentional? What else might be waiting to be discovered that Dali has not told us? He did once say that when people start seriously studying his work they will realize what is currently known is just the tip of the iceberg.
Some of his paintings remind me of dreams in the way that one thing connects to another, which connects to another in a way that doesn’t seem to remain consistent with the first or with the whole. For lack of a better term, they are illogical. The difference is that when I wake up, my conscious mind imposes an order on what little I remember in order to make sense of it, while with the paintings I see the whole all at once and I am not allowed to impose my order on them (it would require a lot of chopping). Overall, I didn’t see one that I can say I really liked. They all lacked a certain balance. If a few of the cherries are linked to show the two Salvadors are the same person, why aren’t they all linked? I find the transitions too abrupt. Still, the more I think about them, the more I see the enormous potential they have if slightly tweaked. I do love symbolic art.
Written by Daniel Noe, WayOutLife.com
LOVES TAMPA BAY